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As at most pawnshops, when. TC’s first evaluates the item for. About 8. 5 percent return, but if they don’t, there’s no. Rates and time frames. Sargent has been working with. Currently, each. municipality has its own rules. TC’s also has been part of. Waterbury business scene for 2. Children’s Miracle Network Organization, the Police. Activity League and many other charities. Further helping to bust. TV reality shows. Hardcore Pawn” and “Pawn Stars,” which Sargent. Those shows are mostly staged,”. You don’t get Civil War cannons or other rare. And you certainly. You have to be the. Even if you don’t. Internet and look it up.”Currently, Sargent says that. TC’s offers a lot of jewelry. Tiffany, Rolex and Cartier, and there’s. In a sign of the. Although collectibles do. TC’s—they’ve handled specialty items. Spencer repeating rifles. Cessna airplanes and Cobalt power boats—the majority. Bay, which offer a bigger market. TC’s is. a licensed gun dealer, but that business is also done. Actually, Sargent. Internet sales, and the building on the. Web- related transactions. With the recent economic. TC’s as more. people need to raise quick cash however they can or find. It has allowed Sargent to keep a staff of 1. TC’s also has. a second retail sales building, featuring car audio. In the. back lot where autos are kept—yes, TC’s is licensed to. Ford Mustang convertible sits. Dodge Dart and a Land Rover, which is. Our clientele ranges from. Sargent, who also describes many of his. In the past two years, we’ve been able to help. We’ve also had. people come in, find a diamond ring they could afford. I’ve heard more stories. Sargent. “It’s a unique business—no other like it in the world.”For more information. This article appeared in. January 2. 01. 1 issue of Connecticut Magazine. November 2. 01. 0Waterbury Republican. American News Paper Thrives; Helps Others. Survive, in the Best and Worst of Timesby Trish Donohue - Communications Coordinator at. Waterbury Regional Chamber. In a downturn economy, many of. America experience an. For 2. 5 years. TC’s Pawn Company Jewelry & Electronics Exchange has. Pawn loans keep the electricity. Pawn customers are typically. A pawn loan is a service that a. When the economy is good, people. Jay Sargent, partner and managing. TC’s Pawn Company, Jewelry & Electronics. Exchange.“When the economy is bad, you see a lot of. How the process works According to the National Pawnbrokers Association. Pawn loans are. made on everything from jewelry to electronics. If. the pawn customer chooses to redeem the loan, the. The option to redeem the. If the customer elects. Value is assessed by what you. Jay. The average savings. The price of most items for sale is. I’ve always said that I’m the. I do not have to call one (in determining. Jay. “Mostly it’s experience”. Aside. from using the Internet, Jay frequents second hand. Best sellers at the pawn shop are. Also popular are. DVDs. TC. Mobile Audio and Video Superstore, (located next. TC’s Pawn), retails a wide range of audio. Licensed technicians are on. Jay also provides vehicle. A money- back satisfaction guarantee. TC’s Pawn acquired its first. DOS. Today, four full- time employees sell a. We’re among the most technically. Jay. The long held myth that pawn. TC Pawn’s brightly. Pawnbrokers have been, and continue. National. Pawnbroker’s Association. We try to do a lot of. Jay. “People. have been brainwashed by the media. There’s a. misconception out there that all you ever deal with. Jay attributes the success of his. Half have been with him for 5- 1. Better Business Bureau accredited, he says. Word of mouth has gone. Pawn transactions are the only. In many states this. The industry is very regulated,”. Jay. “We go above and beyond what the law. When someone comes in with a bag of gold. TC’s Pawn first negotiates a price. Positive state issued ID must then be presented. TC’s Pawn records the ID and a full description of. Digital images are taken. Every piece of merchandise that comes. We have a good rapport with local area. We work closely with them and. Partnering with many area. TC’s Pawn places high priority on. Among. the organizations it supports are the Children's. Miracle Network Organization, Lt. Robert D. Westberg. Scholarship Golf Tournament, Waterbury Crime. Stoppers, Police Activity League (PAL), Disabled. American Veterans, TOYS 4. TOTS and the Wolcott Street. Lakewood Road Business Association. Additionally, TC’s Pawn Company. Camp Farwell in. recent summers, a picturesque girls’ camp in. Newbury, Vermont that provides unique wilderness. Students. participate in an essay contest and the two best. On December 7th at 4: 3. TC's. Pawn will host its 3rd Magical Mile Tree Lighting. Wolcott Street Lakewood Road. Business Association. The free event will feature. Santa Claus, refreshments (compliments of the. Association), and a raffle. The Children's Community. School and Waterbury Police Athletic League youth. The community is very important. Jay, who started at the pawnbroker shop. I grew up in poverty on welfare,”. Jay. “I lived in foster care for 5 years. People ask why we’re so successful. It’s because. we’re empathetic. We don’t judge and we are fair.”. TC’s Pawn Company Jewelry &. Electronics Exchange is located at 5. Lakewood. Road, Waterbury, CT 0. Waterbury Republican. American News Paper. Magical Mile Donations Benefit Charities All Year Long by Diane Ploch. Part of the “magic” on the. Magical Mile is the sense of community spirit shared. Members of the Wolcott. Street/Lakewood Road Business Association work. Tree Lighting. Flag Day and Earth Day Clean- Up, but individually. Chair of the. Association, Jay Sargent, sets a good example. As. Regional Manager of TC Pawn Company Jewelry and. Electronics, his business not only hosts the annual. Tree Lighting but also supports organizations like. Waterbury’s Police Activity League. Read more about. Sargent’s giving spirit on page 8.) We talked to. Mile” about how. they contribute to the community. The Wireless. Zone gives at a couple levels. Local owner, Kathy. Saska, explains that a portion of store proceeds go. Wireless Zone Foundation for Giving and each. Saska has helped secure $5,0. Waterbury Youth Services and the Child Guidance. Clinic, now known as Wellpath. Recently supporting. Brave at Heart, a breast cancer survivor group. Saska provided pink flannel pajamas, chocolates and. This is the third. Wireless Zone has contributed gifts to the. This is the least I can do as a small. Saksa. “I make an effort all year long to make. Waterbury Republican. American News Paper. Magical Mile Committed to Growth and Tradition. Diane Ploch. The last year was a busy. Wolcott Street/Lakewood Road Business. Association with collaborative events and new faces. Community Spirit. The annual Holiday Tree Lighting on the Magical Mile. December 8, 2. 00. TC’s Pawn Company. Jewelry & Electronics Exchange on Lakewood Road. Kids visited with Santa while guests enjoyed. Magical Mile. In addition to a live DJ, groups. Children’s Community School and Waterbury’s. Police Activity League performed. Children 1. 8 and. Pods, a Nintendo Wii and free rental. An. estimated 1. 50 attended. On Saturday, May 1 volunteers pitched in to. Magical Mile as part of a city- wide. Based on an inventory of ‘hot spots’ that. TC’s Pawn Company. Jewelry & Electronics Exchange to Lakewood Lanes in. The City of Waterbury provided bags. Frankies. October 2. ANNOUNCEMENT: TC's Pawn Company to. Magical Mile Tree Lighting on Tuesday, December 7, 2. This will. be our 3rd year in a row hosting this event with the Wolcott Street. Lakewood Road Business Association and the Waterbury Regional Chamber. Every year gets more exciting for us as the crowds grow! This holiday. season may prove to be more difficult than others for many families in. FREE event. Santa Claus will. There will be. food and refreshments served compliments of other members of the. Association and chances for many children to win fantastic gifts! It is. an opportunity for local business to give back to the community we. We are looking forward to hearing the holiday songs sung by the. The Children's Community School and Waterbury Police Athletic. League! The event starts at 4: 3. Santa. Look for the special Magical Mile insert in the Republican American. Newspaper in the beginning of November for Great sales and specials from. Magical Mile Businesses! Continued support for the Lt. Robert D. Westberg Scholarship Golf Tournament. TC's Pawn. Company has for many years supported this great event! The 1. 1th Annual Tournament was scheduled for Monday. October 4, 2. 01. Country Club of Waterbury. Last. years event was another great success and raised. Waterbury police officers who plan to pursue. The generous spirit of deceased. Waterbury Police Lt. Robert D. Westburg continues! September 2. 01. 0TC's Mobile Audio Presented 2. USACI. Sight & Sound Competition - September 2. We hosted over 4. SPL and Sight. There were unbelievable sound systems. HOT 9. 3. 7 radio was on site with personality and games for. TC's staff sold ice cold water to raise money for Waterbury. The Art of Swordplay in the Renaissance. The Art of Swordplay in the Renaissanceby. Lord Aubrey de Baudricourt. Cadet to Don Jeremy James Scurlock".. I judge that the first and true profession of the courtier must be that of arms; and this above everything else I wish him to pursue vigorously."- -- Castiglione, The Book of the Courtier, 1. I. Introduction. Period fencing, or rapier combat (or "light fighting") as it is sometimes called, has been an established form of combat in the Kingdom of Ansteorra for almost fifteen years. It seeks: to emulate the art, science and form of swordplay as it was practiced in the Renaissance Europe of the late sixteenth century. Historical Fencing Instruction at the world's first modern 'Schoole of Defence' following the model of Renaissance Fight-Masters Wholly devoted to authentic Renaissance Martial Arts Teachings since 2005.Combatants also attempt to recreate the atmosphere, customs and clothing of this very elegant and exciting period of history. Some Lords and Ladies, stressing the importance of accurate reenactment and replication, have complained that period fencing does not accurate reflect how duello was conducted in the Renaissance. As I shall illustrate in this paper, there is much truth to this charge. But, an exact replication of the art of swordplay as it existed in that time is neither possible nor completely desirable. Marty of the maneuvers forced upon swordsmen of that time by the weight and clumsiness of their blades are unsafe or downright dangerous, graceless and slow, even with modern fencing weapons. For instance, early Renaissance German fencing included a number of wrestling and grappling maneuvers. And, until the mid- seventeenth the rapier was too heavy to allow it to be used in the parry- riposte fashion used in modern fencing and rapier combat in the SCA. This clumsiness of the blade made rapier fencing in the Renaissance an almost exclusively two- handed game, as we shall see. Evidence for fencing can be found as far back as 1. B. C. in ancient Egypt and it is well known that Roman gladiators were trained in the basics of swordsmanship with wooden swords. But fencing as we know it was brought about by the introduction of gunpowder on the battlefield. Most historians date the first "effective" use of gunpowder in such a way to the battle of Crecy in 1. Some Fencing Manuals & Fechtbuch of interest to the SCA. was a famed Renaissance. Ridolfo Capoferro or Capo Ferro of Cagli was a fencing master in the city of Siena who published a rapier fencing manual in Italian. Find helpful customer reviews and review ratings for Three Elizabethan Fencing Manuals at Amazon.com. Read honest and unbiased product reviews from our users./>. The Art of the Duel: Early 17th. under whose patronage he published his exceptional rapier-fencing manual. and this in turn was replaced by the cup-hilt in second quarter of the 17 th century. Rapier Fencing. Online Historical Fencing Manuals. See a complete listing of known surviving Medieval & Renaissance titles here. Other manuals are available. another rare Medieval German fighting manual. c. 1506-1514. Albrecht. Bolognese Swordsmanship Overview. Manuscripts Ravenna M-345 and M-346 is an early 16th century fencing manual of the Bolognese school. Exploring the Martial Arts of Renaissance Europe. Home; About; Blog. Crecy is "a fable"). At first the fighting men of the 1. This trend ultimately resulted in Gothic armor and Maximilian Plate. Yet, at the same time, a trend was also moving the art of war towards lighter swords that were thinner, balanced and more dexterous. These weapons eventually evolved into the rapier. The rapier became a common item of wear in the Renaissance, increasing the chance for dueling and, thus, the need for training in the art of swordplay. II. The Weapons".. Rapier is it which sheweth who are men of arms and of honour, and which obtaineth right of those which are wronged: and for this reason it is made with two edges and one point, and being the weapon which ordinarily Noble men, Knightes, Gentlemen and Souldiers weare by their side, as being more proper and fit to be worne then any other weapon.."- -- Saviolo, his Practise, 1. The primary weapon in Renaissance swordplay was the rapier. The rapier was normally a flexible highly tempered weapon with beautiful and sometimes elaborate hilts. Early rapiers were edged and pointed but, as they became lighter, the rapier became primarily a thrusting weapon. The best came from Spain. Most sixteenth century rapiers had, in addition to the simple grips and quillons (as the cross guard was called), a complex guard formed from and around a series of metal rings. A skillful swordsman was capable of disarming his opponent with the guard or catching his opponent's blade with the quillons. By 1. 60. 0 these metal rings were filled in and shaped into a cup of metal that protected the hand in much the same way that the epee bell does today. Because of the weight and clumsiness of the rapier a parrying weapon (or secondary) was often used in conjunction with it. In Italy where, as we shall see, fencing began, fighting was normally done with a sword in the right hand and a specially constructed dagger in the left. Early daggers had quillions but no handguards. By the early 1. 7th century these weapons had fallen from use. A second type of dagger that was used as a secondary was the main gauche. It was normally about twelve inches to nineteen inches in length and equipped with quillons and a hand guard. It was developed in Spain and its use spread quickly to those nations under Spanish domination and then to the rest of Europe. In England use of the buckler, or small circular shield (also called a target), with the rapier was retained until after 1. The English sword used at that time was longer and heavier than the Italian rapier and the buckler was normally equipped with a spike in the center. More often than not, the use of the buckler interfered with the clean use of the sword. By 1. 58. 0 this archaic means of fighting had been replaced among the aristocracy by rapier and dagger with the use of the buckler being maintained only by the lower classes. The use of a cloak as a defensive secondary began to become popular in the late 1. Two general types were used. The first was the larger and slower cape that, when worn, reached well below the waist level. The smaller and faster cape could be moved quicker to defend the body and parry the opponents attack. Fighters also could use two rapiers in a style which has come to be known as Florentine within the SCA. It was known as a 'case of rapiers" during the 1. One weapon provided a wide area of protection while the other was offensive. The primary was normally a standard rapier. But the secondary was often a specially made rapier, at times shorter, lighter and, therefore, faster than the primary. III. The Rise of the Italian School".. Rapier and Dagger, not the rather thereby to grow insolent, or to commit murder, but to be able and ready in case of .. Saviolo, his Practise, 1. The first true fencing manual was written in Italy in 1. Fiori dei Liberi and entitled Il Fiordi di Battaglia. But tradition has it that the Spanish established the first fencing schools and made the rapier a triangular blade. Diego de Valera is reputed to have written the first rapier- fencing manual in about 1. Ten years later a "German school" came into being, with the publication of Talhoffer's Fechtbuch (Talhoffer's Swordbook). The German school differed in it style of fighting from the Spanish school and other later schools. The Germans preferred the long cutting weapons of the late Middle Ages to the newfangled thrusting weapons of the Renaissance. Yet, by 1. 48. 0 the Germans had begun to establish fencing associations. By the early 1. 6th century the art of rapier combat had spread from Spain to Italy. Renaissance swordplay was to reach its peak in Italy where several schools were established by 1. The advent of the printing press made it possible for the fencing masters to publish their manuals and attract large numbers of students from the nobility and gentry. The first such manual by a recognized master was written in 1. The first work to contain positions, parries and attacks readily recognizable by the swordsman of the Current Middle Ages was Trattato di Scientia d'Arme written by Agrippa in 1. Agrippa was an architect and engineer as well as a sword master of such repute that his method was known to both lnigo Montoya and Westley (a. Dread Pirate Roberts") of "The Princess Bride" fame. Agrippa's four positions (two offering protection against high attacks, one against midline attacks and one against low attacks) are related to positions used in fencing today. Parries, while mentioned, were not described but it is believed that they were somewhat similar to direct (or cross body) parries. Agrippa also advocated the use of a mail glove that enabled to swordsman to block or grasp his opponent's weapon. Trattato di Scientia d'Arme also addressed the use of the buckler, dagger and cloak as secondary (defensive) weapons. The Italian school quickly discarded the buckler in favor of the dagger, which it advocated as a parrying weapon primarily and as a stabbing weapon at close quarters. The dagger could be used alone to parry the attacker's weapon or in conjunction with the rapier. Most combatants fought with the dagger forward in order to catch the opponents’ blade early and then allowing the defender to counterattack with the rapier. Another refinement in swordsmanship developed and proliferated by the Italian school was the lunge, first emphasized in Di Grassi's Ragioni di Adoperar Sicuramente l'Arme in 1. The author also emphasized, as did all of the Italian masters, the thrust over the cut. In his True Arte of Defense, first published in English in 1. Di Grassi states that ".. With the advent of even lighter blades more varied maneuvers were introduced and swordsmanship began to gain an elegance and grace unlike any that it had possessed in the past. In England the art of swordsmanship lagged behind Spain and Italy as the gifts of the Renaissance were late in coming to this distant point in Europe. Henry VIII first organized the English fencing masters into an association in 1. At this time England was a land where the sword and buckler still held sway. The rapier would not arrive for another generation and, when it did, native resistance was to try to tie it to the buckler as well. IV. Dominance of the Italian School".. I verily thinke it my bounden dutie, with all love and humilitie to admonish them to take heed, how they submit themselves into the hands of Italian teachers of Defence .. Italianated, weake, fantasticall, and most diuellish and imperfect fights .. Silver, Paradoxes of Defence, 1. The Italian school was adopted by the French as early as 1. French masters coming into existence by 1. These new masters modified the Italian methods to French nature, creating a new school in the process. Among the first of the French masters was Saint Didier. His Traicte contenant les secrets du premier livre sur 1'espee seule, mere de toutes les arme was a compilation of the best of the Italian masters. Robot Check. Enter the characters you see below. Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Camillo Agrippa | Fencing: A Renaissance Treatise | Ken Mondschein, trans. Reviews. FENCING HISTORIAN Ken Mondschein has done the Western martial arts community a great service by translating into English the fencing treatise of the iconic ‘Renaissance man’ turned fencing master, Camillo Agrippa. Trattato di Scientia d’Arme (Treatise on the Science of Arms), originally published in 1. Rightly so, Mondschein points out that in addition to scholars and practitioners of European swordplay, this text is a valuable resource for historians, art historians, science historians, and scholars of masculine identity in 1. Italy. In his Introduction (for which due credit must be given for managing to sneak in a quote from The Princess Bride), Mondschein begins with a brief biography of Agrippa. An engineer and mathematician by trade, Agrippa undertook the ambitious task of streamlining the practice of swordplay by applying to it tried and tested mathematic and geometric principles. The success of this attempt is demonstrated by the fact that his principles continue to be applied in fencing to this day. Mondschein places Agrippa’s text into its proper context, detailing the 1. He discusses the establishment of formal fencing schools in Europe and the changing trends in both weapons and methods of fighting throughout this period. He also examines the notion that proficiency in arms was a key element in nobility and courtliness. This mentality is epitomized in the private duel of honour; a phenomenon that emerged in the 1. Mondschein attempts to identify the intended audience of Agrippa’s work by examining the history of personal combat manuals from the late Middle Ages to the 1. He reveals how, with the advent of print, such works became more widely accessible and thus began to be directed toward a less exclusive readership. While Agrippa still presumes that his reader possesses a basic knowledge of swordplay, his teachings are more comprehensively laid out than previous texts that assumed the reader had direct access to a master. Agrippa’s teachings were meant to appeal to the new ‘self- made’ men of the Renaissance; aspiring gentlemen unaffiliated with established powers seeking the martial prowess that they feel characterizes noblesse. Mondschein prefaces his translation with a brief breakdown of the text; what is presented and how it is divided. He also takes an in- depth look in to the science, mathematics and philosophy underlying Agrippa’s swordplay. This may seem daunting to the layperson, as this section is quite technical. However the reader’s efforts to comprehend what is being discussed will be greatly rewarded, in that it offers the reader a look inside Agrippa’s head to see the origins of his techniques. The final section of his Introduction discusses the possible Hermetic undercurrents in Agrippa’s system. This ranges from possible Pythagorean symbolism in Agrippa’s geometry to the potential esoteric meaning of some of the text’s more allegorical images, drawn perhaps from such texts as the Hieroglyphica (MS discovered in 1. Francesco Colonna’s, Hypnerotomachia Poliphili (Aldus, 1. This is the only portion of the book, otherwise filled with solid and well- referenced ideas, that strays slightly into tenuous speculation. Although Hermetic, Pythagorean, and Neoplatonic ideas and symbolism exerted a wide influence on Renaissance art and philosophy, to suggest that Agrippa’s manual has a second, symbolic layer of meaning to adepts with the right understanding seems a bit of a stretch. Mondschein’s chief concern in his translation is making the text accessible to modern readers. He explains that it was occasionally necessary to distill some of Agrippa’s excessive eloquence into more concise passages so as to not bombard readers with the verbose style of writing characteristic of a 1. He manages to find a good balance between a simple, to- the- point translation, and preserving the spirit and feel of the original language. Although the edition sadly does not contain the text in its original language, a link to a digital facsimile of the 1. Translator’s Notes. Where possible, however, Mondschein uses rich and copious explanatory notes to provide bits of the original text and explain the motivations behind his translation. Since this is meant as a practical text for use by fencers and historical combat practitioners, Mondschein makes sure that the instructions for the techniques are translated as clearly as possible. In some areas he has translated terms and phrases using vocabulary that will be more familiar to modern practitioners. In other places, concluding that Agrippa’s wording either had no modern equivalent or simply could not be better stated in another way, he has either given a literal translation or in some cases retained the original Italian. The book concludes with an appendix in which Mondschein discusses Agrippa’s rapier; a more robust weapon compared to the sometimes excessively- long and thin thrusting weapon that would emerge later as the rapier reached its peak in popularity. In this section, he provides the specifications (e. Metropolitan Museum of Art in New York. Mondschein’s personal comments on each sword, however, are not as objective as they could be. Some of his bolder statements, in which he questions the utility of a particular sword, or even its authenticity, on the basis of his experience handling it, perhaps sells the pieces short and do not factor in individual preference in the features of a custom- built weapon. Although he may find it awkward and unwieldy, the man who commissioned it and carried it to defend himself could have preferred it that way. Apart from this, the only other feature that could have bettered this section would be accompanying images of these swords. This edition will be a valuable asset to experienced fencers and historical combat practitioners, as well as those just beginning (for whom studying Agrippa’s concise and effective system will be a good starting point). Mondschein succeeds in producing a translation that is modern and accessible without sacrificing the literary flavour of the period in which it was written. It is also heartening to see this text contribute to the growing trend of treating fencing manuals not just as resources for today’s aspiring swordsmen, but also as a useful primary source for in- depth research within the wider academic community.— James Hester,Royal Armouries Museum Renaissance Quarterly 6. Summer 2. 01. 0): 6. AN ASSUMED RIGHT to personal violence has long been a marker of maleness, despite the long- standing efforts of official authority to deny it. In the Renaissance, a dagger or sword was part of everyday costume, and served as the universal signifier of adult male status. Dueling remained a common practice despite repeated prohibitions. Elite males learned swordsmanship and related arts, and fencing masters armed with pedagogical systems stood ready to teach the newest methods. Behind them lay an array of treatises on the art of fencing, each expounding a slightly different system. Camillo Agrippa was a Milanese architect- engineer, not a fencing master, but he published in 1. Trattato di scientia d’arme. Agrippa’s novelty was to provide a geometrical framework for the fencer’s poses and movements. He claims this gives a ragionaménto, or reasoned account, of the whole process and facilitates learning. Agrippa is regarded as the pioneer who foreshadowed the later Spanish style known as destreza, a complex geometrical way of choreographing the fencer’s movements. Ken Mondschein, a teacher of fencing at the Higgins Armory Museum in Worcester, MA, a former Harvard Fellow and Fulbright Scholar, and a Ph. D from Fordham University, presents the only English translation of Agrippa’s full text. The world of fencingremains mysterious to the uninitiated (which includes this reviewer), and the best guide remains Sydney Anglo’s The Martial Arts of Renaissance Europe (2. Following Anglo we can see how technological and social change affected fencing and its teaching. With the decline of armor, the medieval long sword shrank to become the “rapier,” seemingly from the Spanish espada ropera, a sword for wearing with clothing. The rapier’s most deadly blow was a thrust at the enemy, not a slash — after Agrippa, many rapiers were not sharpened along their edges, only at the point. But to thrust with a light sword requires very different bodily motions than slashing with a heavier blade, hence the need for a different system of instruction. Perhaps because Agrippa was an architect- engineer, he seeks to simplify and rationalize fencing, reducing it to a set of “guards” or primal postures from which various attacks and defenses can be derived. His illustrations using nude male figures leave no doubt about the body’s position at each step. Printed capital letters identify the actions, and these simplify the syntax of the descriptive text, a technique that appears later in sixteenth- century books of mechanics. The magnificent illustrations, once thought to be by Michelangelo, are alone worth the price of admission, and Mondschein has altered their placement vis- à- vis the text, correcting some of the printer’s original blunders. His translation from the Italian is fluent and readable, though perhaps sometimes involving small sacrifices of scholarly scruple, as he himself admits. Mondschein’s work is necessarily more focused than Anglo’s, and he sees Agrippa as both a seminal figure in fencing history and as the very embodiment of the Cinquecento virtuoso. Not everyone agrees: Anglo notes how both seventeenth- and nineteenth- century commentators held widely varying opinions about the importance of Agrippa’s geometrical system, although Anglo himself praises Agrippa’s “original and inventive mind” (4. For Mondschein no doubts exist: Agrippa represents a “paradigm shift” on the “cutting edge” of sixteenth- century fashion. Year Champion Runner up MVP 1988 Moxie The Chariot (FP) Kathy Moritz, Moxie 1989 Moxie Club Pondo Laura Winslow, Moxie 1990 Moxie Sporting Goods Place Tina McElvarr, Moxie 1991 Woolston's Pharmacy Moxie Denise. Jessica enjoys exploring new places and being emerged into the culture of the destination. She enjoys trying the local food and drink of the places she visits. Those who follow Travel Haus of St. Louis socially have also come to “like” Jessica for her fun contests. Search titles only has image posted today include nearby areas akron / canton (cak) altoona-johnstown (aoo) ann arbor, MI (aaa) asheville, NC (ash) ashtabula, OH (jfn) athens, OH (ohu) battle creek, MI (btc) bloomington, IN (bmg) boone, NC (bnc) bowling green, KY (blg). Exploring College Options: Duke University, Georgetown University, Harvard University, the University of Pennsylvania Exploring College Options is a special recruitment program sponsored by the undergraduate admissions offices of five of the country's leading. Pennsylvania Slow Pitch Softball Invitational Tournaments. Miller High Life/Yuengling - Williamsport. PADelco Times Champs and Charity Classic - . Marcus Hook, PACharity Challenge - West Chester. Razorbacks Early Bird - York, PALancaster County Spring Open, Intercourse, PACoke Classic - Lewisburg, PARattlesnake Round- up - Noxen, PABridgeton AA Benefit - Upper Black Eddy, PADing- A- Ling (Big Ding), Yatesboro, PASpring Ding, Yatesboro, PACharles Agulis Memorial, Readington, NJSully's Women's Early Bird - Norristown, PAElkland Fast Pitch Labor Day Weekend Classic - . Elkland, PADisbanded Tournament. Classics. 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MVP1. 97. 4Derby, Altoona. Evan's Bar, Manheim. N/A1. 97. 5Zinn's. Diner, Denver. Barnes Gulf, Williamsport. N/A1. 97. 6Nebulous. Altoona? N/A1. 97. R& T. Mobil Home, Ephrata? N/A1. 97. 8Guvnor's. Pub, Riverhead, NY? N/A1. 97. 9Annville. Auto, Elizabethtown. Reds, Williamsport. N/A1. 98. 0Austin. Hardware, Altoona. PAST & PRESENT OHIO USSSA STATE CHAMPIONS MEN’S CLASS AA-A 1991 At Akron………. Ohio Transport, Cleveland 1992 At Akron………. Tournament Not Held 1993 At Columbus………. Watanabe/Scarlato’s/Easton, Cincinnati 1994 At. Hotels near or close to Kettering Field Softball Complex in Dayton Ohio area. Find deals and phone #'s for hotels/motels around Kettering Field Softball Complex. Hotels Near Kettering Field Softball Complex - Kettering Field Softball Complex Accommodations. Johnnie's. Sunoco, Armagh. Bill Lichtenfels, Johnnies. Hoffman. Blue, York. Cobras. Martinsburg. XE Mc. Andrew, Blue. Bierly's. Market, State College. Stapelfeld Construction, Claysburg. Pete Kaufman, Bierly's. 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Frontier Saloon (MP)Classic Beer. None selected. 19. Pyramid Temp Services. Bill Battey's. Pat Lancianese, Pyramid. Cheech- O's (MP)Danny's. Dave Greener & Vito Gricco, O's. Martinique IIBill Battey's. Alfie Fioravanti, Martinique II1. Bonnie D's. Harry Press. Auto. Nick Lombardo, Bonnie D's. Dougherty Builders. Aston. Sports Bombers. John Phillips, Dougherty. Bill's Tavern. Young Brothers. Tink Duranto, Bill's Tavern. Bill's Tavern. Dougherty. Builders. Tink Duranto, Bill's Tavern. Clank's Bar. Della Polla's. Rich Duranto, Clank's Bar. Clank's/Brownie's Pub. Bottle 'N' Can. Norm Sanbe, Clank's/Brownie. Clank's Bar. Willowbrook. Pub. Chuck Brooks, Clank's Bar. Willowbrook Pub. Clank's Bar. Calvin Butcher, Willowbrook. Sher- rockee/Turf Lounge. Willowbrook. Pub. Ron Duranto, Sher- rockee/Turf 1. Hopson's Seal Coating. Sher- rockee/Turf. Lounge. Keith Berry, Hopson's Seal. Willowbrook Pub. Hopson's. Seal Coating. Bob Waters, Willowbrook. Willowbrook Pub. American. Petrol./Hopson. 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Lee Tadalan, Barnaby's/Lefty's. UBBIBC/EJ. Hosbach. Hopson’s Seal. Coating. Ryan Ferguson, UBBIBC2. UBBIBC/EJ. Hosbach. Dolan's. Bar. Jon Fanelli, UBBIBC2. UBBIBC/EJ. Jack Cassidy's Irish Pub. Mike Hill, UBBIBCDelco. Times Champs 'N' Charity Women - Marcus Hook, PAYear Champion. Runner. up. MVP1. Moxie. The Chariot. FP)Kathy Moritz, Moxie. Moxie. Club Pondo. Laura Winslow, Moxie. Moxie. Sporting. Goods Place. Tina Mc. Elvarr, Moxie. Woolston's Pharmacy. Moxie. Denise Bourassa, Woolston. Moxie. Woolston's. Pharmacy. Barb Miller, Moxie. Chariot. Moxie. Leslie Scull, Chariot. Media Spirit. Chariot. Theresa Dunbar, Media Spirit. Media Spirit/Patriots. Tour 'n'. Travel. Jen Merola, Spirit/Pats. Media Spirit/Patriots. Woolston's. Pharmacy. Wendy Heffernan, Spirit/Pats. Media Spirit. Duke's Tavern. Meghan Brogan, Media Spirit. Media Spirit. Pickel's Place. Alyssa Kendall, Media Spirit. Red Lantern Flames. Duke's Tavern. Vicky Pecunia, Red Lantern. Red Lantern Flames. Duke's Tavern. Maureen Hayburn, Red Lantern. Red Lantern Flames. Domenico's Restaurant. Karen Pelky, Red Lantern. Red Lantern Flames. Max Magees Pub. Roe Falcone, Red Lantern. Max Magee's Pub. Red Lantern Flames. Karen Masusock, Max Magee's. Max Magee's Pub. Red Lantern Flames. Natalie Shytle, Max Magee's. Appco. Sports/Duke's Tavern. Max Magee's Pub. Carol Rakich, Appco/Duke's. Red Lantern Flames. Re- Steel. Danielle Fagan, Red Lantern. Century. 2. 1Red Lantern Flames. Bev Jack, Century 2. Century. 2. 1/Gary Timmes. Buck Frank Excavating. Shelly Bauer, Century 2. Team Crush, Norristown. Jamison's Beverage, Norristown. Dani Fagen, Team Crush. Buck. Frank Excavating. Appco. Sports/Duke's Tavern. Roe Ryan, Buck Frank. Appco. Sports/Duke's Tavern. Buck Frank Excavating. Marissa Seigfried, Appco/Dukes. Appco Sports/Duke's. Tavern. Cawley's Irish Pub. Chris Cammack, Appco/Dukes. Cawley's/Shady. Pines. Appco Sports/Duke's Tavern. Patty Ann Mulvihill, Cawley's. Appco Sports/Duke's Tavern. Manoa Tavern. 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Pat Murphy, Casey's. Red Lantern Young Guns. Fieldhouse. Rick Taggart, Red Lantern. Fieldhouse. J. D. Mc. Gillicuddy's. Brian Gougler, Fieldhouse. Red Lantern. Fieldhouse. WWII Squadron Patch Insignia. Photos. 1941-1945 A2, G1, Walt Disney, Warner Brother Studios, AAF, USMC, USN Jacket Patches. Many For Sale. Electronic Attack Squadron 137 (VAQRON 137) Tactical Electronic Warfare Squadron 137 (TACELRON 137) VAQ-137 ‘Rooks’ STATUS: established as VAQ-137 on December 14. VC-10 Composite Squadron Challengers is an inactive United States Navy aircraft squadron. It was originally known as the Mallards in 1943, but when assigned the F-8. Squadron Logos: Black Cat PBYs. VPB- 7. 1 Black Cat squadron logocontributed by Mark. Balasi. VP- 3. 4 Black Cat squadron logo(this image was sent to me by Robert B. Brougham)VP- 2. 4 Black Cat squadron logo(from the archives of the San Diego Aerospace Museum) VP- 1. Black Cat squadron logos. Note the life saving ring, boxing gloves and bomb. Black Cats varied roles.(The color image was sent to me by Irvin Sullivan, the black & white logo is from the Dictionary of American Naval Aviation. Squadrons - Vol. 2)VPB- 5. Black Cat squadron logo(this image was sent to me by David Schneikart)VP- 5. Black Cat squadron logos(the larger image was obtained courtesy of.
Squadron history website,the smaller version is from the Dictionary of American Naval Aviation. Squadrons - Vol. 2)VPB- 4. Black Cat squadron logo. This image was obtained courtesy of N. A. Schneidewind, AMM1c of VP- 4. U. S. Navy (Ret). It was designed during WWII by VP- 4. LT Don Black. Note the. I found this patch on the Navy. Patrol Squadron website.)VP- 2. Black Cat squadron logo(this image was sent to me by Francis H. Clifton)VPB- 3. 3 Black Cat squadron logo. Note the depth charge hanging from its tail.(this image is from the Dictionary of American. Naval Aviation Squadrons - Vol. Another VPB- 3. 3 Black Cat squadron logo. This logo looks to be a later vintage than the one shown above. It could be. post- war. Do you have any info on this patch?(this image was obtained courtesy of the Navy Patrol Squadron website)Black Widow logo used by VP- 1. Black Cat missions(this logo was later used by VPB- 2. VP- 1. 01)I hope to re- do this logo in Photoshop when I get a chance, but I thought I would post it. Larry Katz)World War II Non- Black Cat logos of Black Cat squadrons. VP- 1. 01 squadron logo(fromthe Dictionary of American. Naval Aviation Squadrons - Vol. VP- 1. 1 squadron logo(from the archives of the San Diego Aerospace Museum)VP- 5. San Diego Aerospace Museum)VP- 8. Dictionary of American. Naval Aviation Squadrons - Vol. VP- 9. 1 squadron logo(this image was sent to me by George B. Winter)These are the only Black Cat squadron logos I have so far... I challenge all of the other Black Cat Squadron members (or any of you history buffs out. Black Cat squadron patches to complete this. Back to Contents. Reverse sync - Microsoft Community. You can do this using the Zune Software for PC. Connect the Zune player or phone to the computer. If the Zune software does not automatically start, start the Zune software. You can do this using the Zune Software for PC. Free Reverse Phone Lookup. I want to reverse sync my zune because all my music on the zunehd is in the other category and out of sync with my computer. How do I reverse sync? General Zune Software. mrazzino is correct. The first time you connect your Zune to the new computer, you will be prompted to Connect As Guest or Make PC Home. Learn how to sync your Zune player or Windows Phone 7 with your Zune Music + Video software. In the Zune software, click the device menu, and then click the content category that you want to sync. For example, click music. Right- click the item or the category that you want to reverse sync, and then click Copy to my collection. After the sync process is complete, disconnect the Zune player from the computer. For anyone out there who has a Zune, have you been able to do the 'reverse sync' to get music copied back off your Zune onto your computer? Zune Users - Reverse Sync? Forum software by XenForo™ ©2010-2016 XenForo Ltd. Zune software, free and safe download. Zune software latest version: Discover something new. Zune reverse sync issue VE. [email protected] asked on January 31, 2012. I'm trying to. In the Zune software, click the device menu, and then click the content category that you want to sync. For example, click. Learn how to download, install, reinstall, or remove the Zune Music + Video software and Zune player software. Reverse Sync Your Zune; Get The Olympics On Your Mobile Phone; See more… Related episodes. Successful Software Project Management Styles; Skirmish Mode in Star Trek Legacy for the Xbox 360. Zune Live, Zune software, Zune 120GB Digital Media Player, Zune 16GB Digital Music Player, Zune 30GB Digital Media Player, Zune 4GB Digital Media Player, Zune 80GB Digital Media Player, Zune 8GB Digital Media Player, Zune. |
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